Back to Issue Fifty-Six

Emperor of Air

BY DEREK CHAN

After Yuki Tanaka         

          Between car factories
              	                                              and the river named
                                            after an old god,                                we counted
 
                                                           rickshaws glistening over
                            the Kowloon harbor,
plastic flowers turning
                                                                          in apartment windows.
 
              He wasn’t much of a man
                             sitting on a curb,
                                                         mouthing
                                                                                                      Happy Birthday
               to the fireflies circling
my head
                                                                      still, I loved him
                            like a father.
  	                                        He was the unending
 
affection of an empty
 	                                       stomach, a hank of hair
             scattered
                           on a bedside table,
                                                                     the last cigarette
  	                                                                                  haggled
for wontons
                             on the day I cried
             for my lost pencils.
                                                               Soon, I’ll be air,
                                                                            he said, and only your lungs
             can keep me
	                       from disappearing.            It was the kind of story
                 
    I liked, and wanted                          him to teach me,
                                                                             though he never could
 
                                            read a book
              all the way through.        
  	                                                              Once, in a dream
or not
            I followed him                   back to the melting
  	                                                                          grasses
 
of his summer village. 	         We climbed
                                                                                    until the sun
	                           	   sagged from sight, our bodies
                                                                                                    slick & lonely
in a cloud
              of purple gnats.                                           I had no language
 
                                            for our shadows playing ahead of us,
 
 the way he spat blood
              	                                           onto azaleas
        	                                                                   when he thought I was    
picking stones.
      	               Why disappear,
                                                                        I wanted to ask,
why be less
                                         than the sound of birches
       swaying strange     	 as sand
                                                                     from a long evening fever—
 
       	 We sat for a while         & listened
                                                                                as I leaned over
 
to pull his breath                                                  
     	 apart                            	                      like cicada wings
                  	                                                                      just to
                               	slow it down.
 
                                                      Pointing to the emptiness
     	 above
the village, he said,
                              You must be the pillar
                                                                  which holds up
all this air.
  	       	 I did not understand
                                                                      his trembling kneecaps, slower
               than the moon—
                             making the moon
                                                                                 brighter.
	                                                              I wanted to peck out
 those lights below me
                                          & the people touching
                                                                                each other inside
wind & rain,
             but my lips                      were too busy imitating
 	        	                                                                       the butterflies
 
  	                                       collapsing
                          on his forehead.
                                                                                  The next time I saw him
he was spread across
                                       the hospital bed
                                                                                  like a thin lake. I stroked
                                                                       his cold face
               & he wasn’t
very sad.
                                       Don’t try to dream, I said,
               I will eat red flowers with you
              	                                                               & forget —

Derek Chan holds an MFA from Cornell University, where he was a university fellow, an editor of EPOCH journal, and a two-time recipient of the Corson-Browning Poetry Prize. His work has appeared in New England Review, Best of Australian Poems, Australian Book Review, Poetry London, Oxford Poetry, and elsewhere. He was a finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship, the Forward Prize, the Palette Previously Published Poem Prize, and has been recognized with awards and nominations from the Pushcart Prizes, Frontier Poetry, and Best New Poets. He has also received support from the Vermont Studio Center, Tin House, and MASS MoCA. He is currently a lecturer at Cornell University, teaching creative writing and academic composition.

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