Call for Interviews and Reviews

Thank you for your interest in interviewing or reviewing for us. 

Please see below for guidelines.

 

“Jump” by Chloe Kang

 

We are looking for writers who hope to critically transcend, question, investigate, and explore. If this sounds like you, please email editors@theadroitjournal.org with the following materials, depending on area of interest: One previous interview (scanned or online), as well as a resume/CV and three ranked choices from the following list of new, recent, or forthcoming releases.

Please note: At this time, we have an aesthetic preference for interviews.

Click here to view our most recent interviews and reviews.

 

IF YOU’D LIKE US TO CONSIDER A TITLE OR TITLES FOR INTERVIEW OR REVIEW,

Please email us at editors@theadroitjournal.org to request our mailing address, to which you may send a print copy of a recent release.

*Note: An asterisk denotes that the writer is a member of the extended Adroit family.

 

POETRY

Paige Ackerson-Kiely, “Dolefully, A Rampart Stands” (Penguin Poets, February 2019).

*Brandon Amico, “Disappearing, Inc.” (Gold Wake Press, March 2019).

Marina Blitshteyn, “Two Hunters” (Argos Press, January 2019).

Sara Borjas, “Heart like a Window, Mouth like a Cliff” (Noemi Press, March 2019).

Andrés Cerpa, “Bicycle in a Ransacked City: An Elegy” (Alice James Books, January 2019).

*S. Brook Corfman, “Luxury, Blue Lace” (Autumn House Press, March 2019). INTERVIEW only; review forthcoming.

*Brandon Courtney, “This, Sisyphus” (YesYes Books, March 2019).

Melissa Crowe, “Dear Terror, Dear Splendor” (University of Wisconsin Press, February 2019). INTERVIEW only; review forthcoming.

*Kyle Dargan, “Best New Poets 2018” (Samovar Press, February 2019). REVIEW only; interview here.

Samantha Deal, “Something Opened” (Black Lawrence Press, July 2019).

jay dodd, “The Black Condition ft. Narcissus” (Nightboat Books, April 2019).

Jaclyn Dwyer, “The Bride Aflame” (Black Lawrence Press, April 2019).

Norman Dubie, “Robert Schumann is Mad Again” (Copper Canyon Press, June 2019).

*Sarah Fletcher, “Typhoid August” (The Poetry Business, June 2018).

*Aidan Forster, “Exit Pastoral” (YesYes Books, April 2019).

*Jennifer Givhan, “Rose’s Einstein” (University of Arizona Press, February 2019).

Eugene Gloria, “Sightseer in This Killing City” (Penguin Poets, June 2019).

Rodney Gomez, “Ceremony of Sand” (YesYes Books, April 2019).

*Rebecca Hazelton, “Gloss” (University of Wisconsin Press, January 2019).

Doyali Islam, “heft” (Penguin Random House Canada, March 2019).

Claire Kageyama-Ramakrishnan, “Vidya’s Tree” (Bull City Press, September 2018).

*Edgar Kunz, “Tap Out” (Houghton Mifflin Harcourt, March 2019).

Alex Lemon, “Another Last Day” (Milkweed Editions, March 2019).

John McCarthy, “Scared Violent Like Horses” (Milkweed Editions, March 2019).

Erika Meitner, “Holy Moly Carry Me” (BOA Editions, September 2018). INTERVIEW only; review forthcoming.

*Carly Joy Miller, “Ceremonial” (Orison Books, May 2018).

*Gala Mukomolova, “Without Protection” (Coffee House Press, April 2019). REVIEW only; interview here.

*Kwame Opoku-Duku, “The Unbnd Verses” (Glass Poetry Press, October 2018).

Willie Perdomo, “The Crazy Bunch” (Penguin Random House, April 2019).

Emily Petit, “Blue Flame” (Carnegie Mellon University Press, February 2019).

Maya Phillips, “Erou” (Four Way Books, Fall 2019).

*Jessica Poli, “Canyons” (BatCat Press, June 2018).

*Doug Ramspeck, “Black Flowers” (LSU Press, September 2018).

Alison C. Rollins, “Library of Small Catastrophes” (Copper Canyon Press, April 2019).

*Sam Ross, “Company” (Four Way Books, May 2019).

Jacob Saenz, “Throwing the Crown” (Copper Canyon Press, September 2018).

*Heidi Seaborn, “Give a Girl Chaos” (Mastodon Books, March 2019). REVIEW only; interview here.

Brenda Shaughnessy, “The Octopus Museum” (Knopf, March 2019).

*Martha Silano, “Gravity Assist” (Saturnalia Books, March 2019).

*Jane Springer, “Moth” (LSU Press, September 2018).

KMA Sullivan, “Inclined to Riot” (Sibling Rivalry Press, May 2019).

Chad Sweeney, “Little Million Doors” (Nightboat Books, May 2019).

Yuki Tanaka, “Séance in Daylight” (Bull City Press, October 2018).

*John Allen Taylor, “Unmonstrous” (YesYes Books, April 2019).

Brian Teare, “Doomstead Days” (Nightboat Books, April 2019).

*Terrell Jamal Terry, “Eyeless Light Seeing” (Black Lawrence Press, October 2019).

Ashley Toliver, “Spectra” (Coffee House Press, September 2018).

Peter Twal, “Our Earliest Tattoos” (University of Arkansas Press, October 2018).

Claire Wahmanholm, “Wilder” (Milkweed Editions, November 2018).

Artress Bethany White, “Afmerica” (Trio House Press, March 2019).

*Jim Whiteside, “Writing Your Name on the Glass” (Bull City Press, April 2019).

*Keith S. Wilson, “Fieldnotes on Ordinary Love” (Copper Canyon Press, May 2019).

Yanyi, “The Year of Blue Water” (Yale University Press, March 2019).

Stephanie Young, “Pet Sounds” (Nightboat Books, April 2019).

 

FICTION / NOVEL / NOVELLA

Abi Andrews, “The Word for Woman is Wilderness” (Two Dollar Radio, March 2019).

Katya Apekina, “The Deeper the Water the Uglier the Fish” (Two Dollar Radio, September 2018).

*Liz Breazeale, “Extinction Events” (University of Nebraska Press, September 2019).

Halle Butler, “The New Me” (Penguin Random House, March 2019).

Candice Carty-Williams, “Queenie” (Simon and Schuster, March 2019).

K CHESS, “Famous Men Who Never Lived” (Tin House, March 2019). INTERVIEW only; review forthcoming.

Susan Choi, “Trust Exercise” (Henry Holt and Co., April 2019).

*Courtney Craggett, “Tornado Season” (Black Lawrence Press, January 2019).

*Dana Diehl & *Melissa Goodrich, “The Classroom” (Antigone Books, 2019).

*Sarah Rose Etter, “The Book of X” (Two Dollar Radio, July 2019).

Brian Evenson, “Song for the Unraveling of the World” (Coffee House Press, June 2019).

*Brad Felver, “Dogs of Detroit” (University of Pittsburgh Press, September 2018).

Dana Green, “How to Carry Scars” (Kernpunkt, September 2018).

Leanne Howe, “Savage Conversations” (Coffee House Press, February 2019).

Devi S. Laskar, “The Atlas of Reds and Blues” (Counterpoint Press, February 2019).

*Maryse Meijer, “Rag” (Farrar, Straus & Giroux, February 2019).

Masande Ntshanga, “Triangulum” (Two Dollar Radio, May 2019).

Helen Oyeyemi, “Gingerbread” (Riverhead Books, March 2019).

Max Porter, “Lanny” (Graywolf Press, 2019).

Sharma Shields, “The Cassandra” (Henry Holt and Co., February 2019).

Kate Zambreno, “Screen Tests” (HarperCollins, July 2019).

 

NONFICTION / ESSAYS / MEMOIR

Heather Christle, “The Crying Book” (Catapult, Fall 2019).

Tressie McMillan Cottom, “THICK and Other Essays” (The New Press, January 2019).

Michele Filgate, “What My Mother and I Don’t Talk About” (Simon & Schuster, April 2019).

Briallen Hopper, “Hard to Love: Essays and Confessions” (Bloomsbury Publishing, February 2019).

Emily Nussbaum, “I Like to Watch: Arguing My Way Through the TV Revolution” (Penguin Random House, June 2019).

Nikesh Shukla and Chimene Suleyman, Editors. “The Good Immigrant: 26 Writers Reflect on America” (Little, Brown and Company, February 2019).

Elissa Washuta and Theresa Warburton, Editors. “Shapes of Native Nonfiction: Collected Essays by Contemporary Writers” (University of Washington Press, July 2019). Read an interview with Elissa Washuta here.

Kate Zambreno, “Appendix Project: Talks and Essays” (Semiotext(e), April 2019).

 

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K Chess (Fiction)
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