Jim Whiteside: I’d like to start by saying how taken with Forever War I am, cover to cover. It’s such a beautiful, aching book of poems, brimming with love and loneliness, complexity…

Jim Whiteside: I’d like to start by saying how taken with Forever War I am, cover to cover. It’s such a beautiful, aching book of poems, brimming with love and loneliness, complexity…
Molly Spencer’s poetry has appeared in Blackbird, Copper Nickel, FIELD, Gettysburg Review, New England Review,…
Mark Twain once said, “the secret source of humor itself is not joy but sorrow.” In Strip, Jessica Abughattas straddles this dichotomy with a modern sense of drollness and bewilderment while providing…
This interview contains profanity. John Elizabeth Stintzi (JES) is a Canadian-born writer and professor at…
In the third poem of Cara Dees’s debut collection, Exorcism Lessons in the Heartland, the boundary between shelter and threat is porous, with “half-sealed” exits and “buckled” north-facing walls. “News” has come…
In her fourth collection Rain in Plural, Fiona Sze-Lorrain attempts to delineate the space between…