Back to Issue Forty-Nine

Last Mow

BY TODD DILLARD

 

Violet beneath the winterberry, neon 

green by our leafless maple, flamingo

pink between the shed and where 

next week we’ll stack cords of firewood—

it’s the last mow of the year, 

and all the eggs we hid too well last Easter 

have returned with their plastic cheer. 

Brown days like these I remember 

the plumbago blue of my mother 

wishing me goodnight, the saffron 

clap of my father’s hands 

when I ripped catfish from Claude’s lake. 

Silver of my kids’ baby laughs—

lavender of my wife’s arms—

that merlot knell when Mozart 

spilled from my clarinet bell—

it’s all easier to see now my life’s entered 

its autumn. I could stop. I could open

each egg, find out what summer’s done 

to Goodbars, how time gnaws Milky Ways. 

But steam’s rattling the pot’s hi-hat,

the good candles are pumping cardamom into the air, 

currant and tobacco whisper from a bottle of Syrah. 

The guests are crossing state lines, 

only a few dozen miles to go.

And I still have the bagging to do, washing up.

And there are more acres left to mow. 

Todd Dillard‘s work has appeared in numerous literary journals, including American Poetry Review, Guernica, Waxwing, Fairy Tale Review, and Poet Lore. His debut collection Ways We Vanish (Okay Donkey Press) was a finalist for the 2021 Balcones Poetry Award. His chapbook Ragnarök at the Father-Daughter Dance is forthcoming from Variant Literature. He is a Poetry Editor at The Boiler Journal.

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