Back to Issue Forty-Nine

Iowa, Summer

BY MAIA SIEGEL

 

I talked to every flower in the yard,

naming them. They stood attentive, waiting

for roll call. When I milked a cow it spurt out

nothing of value, clear liquid dashed

in the mud. I couldn’t pull hard at her. Her skin

hung loose into her own dung. When I moved aside

she replaced me with a statue of brown sludge, made

in my likeness. On the farm, a girl with my same name

wore a pouch around her neck. All summer I asked her

to open it. Instead, she taught me how to cut around a salad

so it looked like you ate it. Years later,

she would try to cut an avocado and open her hand

instead. The doctor gave her pills for it

that she never stopped taking. On the last day of August

she opened the pouch, grinning.

Like a named flower, I stood at attention.

 

Tim

BY MAIA SIEGEL

 

Lying down, he was beautiful—

his chest flat like a wooden porch,

his scalp, so sheltered from the sun,

turning green. He looked like

he was built to die in a war

that would never happen. He had cheated

his body’s wishes and this

was why it hated him, why it curled over itself

shaking his thin wrists, eating him through.

Next to him on the couch, my grandmother,

her mind gone, has the body of an iron tank. It guards

nothing, now. But it goes on patrolling, the dedicated army

of a nation that has fallen apart.

Maia Siegel‘s writing appears in Poetry London, The Bennington Review, The Brooklyn Rail, The Saranac Review, and elsewhere. She lives in New Haven, CT.

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