Back to Issue Forty-Nine

Dear Sylvia,

BY LAURA READ

 

I also had a Mademoiselle summer, 

I mean a summer in New York, 

though I was only 9, and you were 21, 

and you were writing for Mademoiselle 

and I was only being called one 

by my grandpa who addressed me 

as Mademoiselle Lorraine because 

I wanted to go to France. 

How did I invent this dream for myself?  

I thought Paris was black and white 

with splashes of pink. One thing that’s real 

is that when Marie-Claire picked us up 

from Charles de Gaulle, she definitely said, 

Look out your windows for rabbits. 

I was sitting on the floor of the van 

she’d borrowed to pick up Les Americains, 

but I got up on my knees to see all 

the bunnies. I haven’t eaten since Tuesday 

because I have to have a colonoscopy.

It feels like floating in a light I think 

you would call blue and planetary.

 

During my Mademoiselle summer, 

my brother and I stayed three weeks

with our dead father’s parents. 

I had brought only one skirt 

that I didn’t know I’d be required

to draw lines of water over with an old 

toothbrush every night and hang 

in the bathroom while I showered 

so that it would be wrinkle-free 

for 8:00 a.m. mass, where I accompanied 

Nanny while my brother and grandpa slept. 

Apparently, men don’t need to pray 

for forgiveness. The skirt was white. 

If I’d known, I’d have brought a different 

one so I wouldn’t have looked every morning

like an advertisement for purity, 

a state you both desired (baths) 

and despised (sex). 

During your Mademoiselle summer,

you threw all your skirts out the window 

of the Barbizan Hotel. 

My grandfather was strange. 

That’s what people say when they don’t want to 

speak ill of the dead.

He used to cover up the television 

with a sheet and then sit with us 

on the plastic-covered couch until

we obliged him by laughing. 

At every meal, he announced

that this was our home. This was frightening. 

On the subway, Nanny pulled a roll 

of saran wrap out of her purse 

and wrapped me in it because I was cold. 

Once on the street, she pointed at a man 

and yelled, That man wants to rape you! 

I felt sorry for the man who put his hands up 

and fled. Perhaps he was Everyman, and this 

was one of her lessons, but it felt too specific. 

I have to say though that it stuck. Whenever 

I see a man, I wrap myself in my grandmother’s 

invisible plastic. Once in the subway,

we saw a body. The police were taping off 

the area. There was blood around the head. 

It was like our trip to Brooklyn in 1979

had been written to be written. Like the summer 

of 1953 when you began to break down. 

Today I am hungry in a way 

that makes me realize I have never been hungry. 

On the last day of fourth grade, my teacher told us

she was moving to Australia.

I went home and flung myself down on my bed

and cried without thinking, I’m going to cry now, 

and thought, oh so all that other crying was made up? 

This is finally it? Mrs. Welch?

Laura Read is the author of But She Is Also Jane, which won the 2022 Juniper Prize and was published by University of Massachusetts Press in April 2023, Dresses from the Old Country, published by BOA in 2018, Instructions for My Mother’s Funeral, winner of the 2012 Donald Hall/AWP Prize and published by the University of Pittsburgh Press, and The Chewbacca on Hollywood Boulevard Reminds Me of You, winner of the 2010 Floating Bridge Press Chapbook Award. She teaches English at Spokane Falls Community College and poetry in the MFA program at Eastern Washington University.

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