Back to Issue Forty-Nine

Lantern

BY DIEPREYE

 

My mother raised me in the dark. Electricity for our tiny single room would have

equaled overdue rent and scantier meals. My eyes were her light. Her face, mine.

But there were days when she had to pull out that old brass thing. The always-

almost-empty paraffin jerrycan near, she would thumb down the lantern’s lever,

detach its glass globe, lift its burner, quarter-fill its fount with the flammable oil

and let the parched wick drink fast. Even several minutes after its orange flame

steadied, that suffocating benzene odor lingered. Under the gleam, she studied her

King James Bible, and I, math textbooks or my Pearson Longman dictionary. I

looked up “luxuriousness,” “labyrinthine,” never “lantern.” My mother shone.

And in her brilliance, I dazzled. Just why did I leave her behind?

On a video call to Nigeria last New Year’s eve, that same lantern, way more

crooked now, lit the roundness of her face. She had shaved her hair low: the grey

and black like patchwork on her scalp. Her squinting eyes behind

the “prescription glasses” she thrifted at a flea market made us laugh together. My

mommy, for she is forever my lighthouse, I beamed once in an interview when

asked: Who is most important to you?

Diepreye is a Nigerian-American poet. She is an MFA student at the University of Michigan and an Assistant Editor for Michigan Quarterly Review. Winner of a 2022 and a 2023 Academy of American Poets Prize, and the second-runner-up in the 2023 American Literary Review Poetry Contest, her poems also appear in Epoch, Up the Staircase Quarterly, Rising Phoenix Press, and elsewhere.

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