Back to Issue Forty-Nine

On the Spring Equinox in Auckland, I Begin to Speak of Texas

BY CHLOE HONUM

 

So a voice returns.
So it was winter’s dusk and now it is spring’s.

So the magnolias push a little more black
into their pink

and the grass softens and cools in the city park.
One doctor said about the law, it’s really

poorly written, probably on purpose.
To not know where to turn, who to call.

So the sparrows. So the bold pigeons.
To be caught in a net deliberately cast

over a sacred sorrow.
So a turning point. So on the other side of the world

I am walking into it. Just moments ago
these poppies were winter’s.

This wind.

 

Wishlist in Auckland

BY CHLOE HONUM

 

To see green again from the inside.
To see how the trees in Albert Park

draw the rain closer,
just before it stops, as if to speak to it alone.

To find a form, a way to unknot
the music of an undying Texas autumn

that doesn’t hurt so much,
that doesn’t require the use of my teeth.

To lift an hour out of silence, like a stone
out of a pond, even if to place it back in at the end.

And the sparrows, the sparrows,
free as ever, busy as ever, calling swift assemblies

on the chill grass in the noon mist.

Chloe Honum is the author of two poetry collections, The Lantern Room (Tupelo Press, 2022) and The Tulip-Flame (Cleveland State University Press, 2014), and a chapbook, Then Winter (Bull City Press, 2017). Her poems have appeared or are forthcoming in The Yale Review, The Paris Review, and The Southern Review, among other journals, and her honors include a Pushcart Prize and a Sargeson Fellowship for New Zealand writers. A Kiwi-American, she was raised in Auckland and currently lives in Texas.

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