Sarah-Jane Crowson’s work is inspired by fairytales, nature, psychogeography and surrealism. She uses bricolage to explore the space between real and imagined; creating alternative narratives as small acts of resistance. Working with a mixture of analogue and digital techniques, she works with found ephemera, text, and out-of-copyright images, juxtaposing them to transform their original meanings. Sarah-Jane’s work can be seen in various journals, including Waxwing Literary Journal, Rattle, Petrichor, Sugar House Review, and Iron Horse Literary Review.