Back to Issue Fifty-Two

Planned Community

BY KATHY FAGAN

Each day the houses resemble houses more and more—
wood frame, dry wrap, windows—
SOLD signs posted in front of every build.

I’m staying at one of the first houses
in the community, where my mother-in-law,
when awake, cries for her life from the hospice bed

she’ll die in. I can’t help
but think of the new constructions as skeletons
of this one, or, more properly, progeny. The road I walk

is one version of what once was here—
deer path, Native trail, trade road—
life after life after life. She doesn’t want a new one,

she wants the plan she bought,
with basement kitchen and fluorescent lights, Formica
counters and linoleum floor, the plastic tablecloths, two

stoves, refrigerator against the drywall, freezer
behind the cinderblock. Her spouse, restored.
Family, more family. Food and more food.

There was always more. I’m walking past it,
past the hammering to a recess in the earth too deep,
for now, to fill. Lucky trees

with their wet feet thrive there
and August blossoms thrive in sun at the roadside
above them. I don’t want to write

about death anymore. I don’t want to be
another dying one. I am walking the road,
the trail, the path. What is the opposite of ghost,

they ask. Wild carrot, curly dock, little bluestem.

Kathy Fagan’s sixth poetry collection, winner of the William Carlos Williams Poetry Prize, is Bad Hobby (Milkweed Editions, 2022), available in print and audio. Sycamore (Milkweed, 2017) was a finalist for the 2018 Kingsley Tufts Award. A 2023 Guggenheim Fellow, she teaches poetry at The Ohio State University, where she co-founded the MFA Program and co-edits The Journal/OSU Press Wheeler Poetry Prize Series.

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