Back to Issue Fifty-Three

Veneration

BY CONSTANT LAVAL WILLIAMS

 

Kenny from Skid Row is my prophet today,
my sobriety sponsor and spiritual advisor,

his dirty suitcase squeaks like angels, his nicotine voice
is Vivaldi or shofar, olive oil, Amaranthus, his kingdom

wherever car keys go when lost, my holy comptroller,
my king. A wicked neck tattoo calls all the drunks in

to the church basement, and he performs the miracle
of still being here. In Saint Augustine’s confessions,

it was not the pears stolen from the tree he relished,
but the act of stealing itself—my pleasure in doing it

was that it was forbidden; that is to say I loved my own undoing.
Self-destruction was our mutual kink, and I’m trying my best

to undo what I’ve undone here. Amidst the deities,
I am the breathing ghost that haunts the meridian

between chemical peel and gothic face paint,
between the two darkened rooms of the nursery

and the mortuary—the divining rod planted
between the X and Y axis. I’m ornery

in my mortal robes of palomino gold,
flyweight in my fight against the hostile architecture

of downtown, the thanatophobia of second-life
survival. A Louboutin heel on a neck,

a hickey, a throbbing compass rose,
all my small gods guide me like nothing else—

bless you, Salvador! In the bombed-out squat house
with the buck knife on your hip,

I canonize you saint of inked skulls
and bloodlust, offer you a hecatomb

of my past lives, super glued amphorae to fill
with empty reminders of the victor’s oil.

Bless Erin in the suburbs where we grew up—
you house the fentanyl, grind the stone, instruct me

on how not to remain. And peace be with the one
who robbed my childhood, the ones on the street corners

heckling strangers, the skeletons in the back alleys
parroting the insane tongues of God, the dealer

who sold the dope that killed my friends,
the hand that tore the shirt off my back,

the man in the dumpling restaurant
who taught me the right from wrong

end of a 9mm. You are my greatest enemies,
my greatest teachers. You freebase the ram’s blood,

you guide my clone up the mountain,
you grasp the obsidian dagger,

show me exactly who to kill
by not killing him.

Parasite

BY CONSTANT LAVAL WILLIAMS

 

Outside a football stadium
security check, my grandfather

used a hypodermic needle
to inject rotgut vodka

through the rind
of a ripe tangerine.

Los Angeles heaving
with realtors and yoga mats.

I filled myself
with fear of myself,

how stress hormones cross
the placental barrier in the womb.

Believed in my own futility
like a man believes in sunlight

after leaving a casino—
so much of my life spent

trying to escape my life.
At the rehab barbecue

I held her hand like
a Yucca moth’s eggs

cling to the ovaries of a white flower.
I watched a hardback tick

as it sucked on a cut
of premium marbled wagyu.

Constant Laval Williams is from Los Angeles, CA. He studied Creative Writing at the University of Southern California, where he was awarded the Beau J. Boudreaux Poetry Award, and he is a recent graduate of the Iowa Writers’ Workshop where he received an MFA in Poetry. He was a finalist for the 2023 Ninth Letter Literary Award, and a semifinalist for the 2024 Gregory Djanikian Scholars Award and 2024 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship. His poems have appeared in Lana Turner, Prairie Schooner, Sixth Finch, Blackbird, and DIAGRAM, among others. Though he is a poet first and foremost, he is also a touring musician, performing under the name Casket Cassette.

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