Back to Issue Fifty-Five

Overture

BY BRUCE SNIDER

Before everything, there was the banjo, the grass
of its strings like no other story of grass.

Our father sang: May the Circle Be Unbroken.
He sang a vast blue belonging called the grass.

I heard it in soybean fields, sheep, falling apples.
I heard it in my brother, who heard it in the grass.

As teenagers, we spat cherry pits.
Talking and laughing, we rolled grass.

To be a sin, said our mother, was to think one.
To be a good son: cut the grass.

Don’t tell me what the Good Book says.
Tell me about the snake in the grass.

Faith: the white plate set before us.
Faith: the pet rabbit our mother skinned in the grass.

If Redneck was our country—
its anthem was cricket song, its flag: the browning grass.

What should I call my broken heart—a.) my lover
b.) my brother c.) what’s buried beneath the grass?

My brother read Guns and Ammo. True,
or false? I read Leaves of Grass.

And the rain repeats: (grass) (grass) (grass)
(grass) (grass) (grass) (grass) (grass) (grass)

When Virgil said: I sing of warfare and a man
at war, he was speaking of the grass;

when Haggard said: I been a workin’ man,
he was also speaking of the grass.

In the prison yard: April prayer and more bitter church coffee.
Spring is a joke. It’s punchline: grass.

Yes, so many feelings, Bruce! Cut or uncut,
watch them grow: !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Bruce Snider is the author of four poetry collections, most recently Blood Harmony, (University of Wisconsin Press, 2025). He’s also co-editor of The Poem’s Country: Place & Poetic Practice (Pleiades Press, 2018). He lives in Baltimore and teaches in the Writing Seminars at Johns Hopkins University.

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